and Alan Lomax have given me permission to quote from unpublished manuscripts of .. culture” (Merriam, ), but it is important that this definition be Le g^nealogie des instruments de musique et les cycles de civilisation. Archives. Alan Parkhurst Merriam (1 November – 14 March ) was an American cultural anthropologist and ethnomusicologist. He is known for his studies of. Antropologia della musica by Alan P. Merriam, , available at Book Depository with free delivery worldwide.
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His program emphasized learning to listen and hear without prejudice or ethnocentricity, rhythmic and tonal fluency outside of the Western tradition, and performance experience in non-Western vocal and instrumental performance with the last being what his program is most known for.
Merriam divides his stated goals of ethnomusicology into three different approaches, the first being the appreciation of the music of other cultures. He is known for his studies of music in Native America and Africa. From Wikipedia, the free encyclopedia.
Born to a highly musical household in Missoula, Montana, Merriam began studying piano and clarinet at a young age. A member of the musicology school of ethnomusicology, Hood was known for initiating an important ethnomusicology graduate program at UCLA. Along with the musicology school, these two factions of ethnomusicology make up a large population in the world of ethnomusicology and they are often at odds. Alan Parkhurst Merriam 1 November — 14 March was an American cultural anthropologist and ethnomusicologist.
Alan P. Merriam – Wikipedia
HerskovitsRichard A. The New York Times. Articulating this relationship, Merriam states. Human behavior produces music, but the process is one of continuity; the behavior itself is shaped to produce music sound, and thus the study of one flows into the other”. Ethnomusicologists American anthropologists American Africanists births deaths People from Missoula, Montana Victims of aviation accidents or incidents in Poland Guggenheim Fellows 20th-century musicologists. University of Illinois Press.
He undertook extensive field research among the Flathead Medriam of Montana in for his PhD and again in Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music. Another aspect of ethnomusicology which Merriam sought to make clear in The Anthropology of Music is the overarching goal of the field of ethnomusicology.
Antropologia della musica
Hood was more interested in creating a graduate student body that could accomplish the egalitarian purpose of ethnomusicology in spreading world musics and preserving them. Many ethnomusicologists, Merriam asserts, are under the antropologiq that the music of many non-western cultures are either abused or neglected, and that they are worthy of appreciation in western society the antropolohia way western music is appreciated. Although he taught at Northwestern University and University of Antrooologiathe majority of his academic career was spent at Indiana University where he was named a professor in and then chairman of the anthropology department from towhich became a leading center of ethnomusicology research under his guidance.
Merriam claims the goals of ethnomusicology cannot be realized by considering music to be an object separate from the humans which make it, and therefore argues for the sake of an anthropology of music. Neither anropologia be considered as an end in itself; the two must be joined into a wider understanding.
Alan P. Merriam
A Discussion and Definition of the Field. Thirty-One Issues and Concepts An individual that stood as a foil to him was his fellow ethnomusicologist, Mantle Hood.
Merriam is characterized by a drive to solve relevant problems using data gathered in the field hands-on. The purpose of this book is to create a better understanding of the anthropological aspects of music, defining ethnomusicology as not the study of the music of non-western cultures, but instead as the study of the relationship which music bears to society.
Views Read Edit View history. His father was the Chairman of the Musicx department at Montana State University, and his mother was a highly skilled cellist. This definition of ethnomusicology comes in response to a number of other important ethnomusicology authors, such as Jaap Kunst, who defined ethnomusicology via the types of music studied in the field. Retrieved from ” https: This definition embodies the purpose of the entirety of The Anthropology of Music, being that ethnomusicology is not weighed further in favor of the ethnological or musicological, but instead an inseparable amalgamation of the two.