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Find album reviews, stream songs, credits and award information for Orlando di Lasso: Cantiones Duarum Vocum, München – Franco Radicchia, Paolo. Buy Cantiones Duarum Vocum (SATB) by LASSO, O at Choral Sheet Music. World premiere recording of Cantiones duarum vocum, published in Munich, and including 24 works written by Lasso during his stay at the court of duke .

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Cantiones Duum Vocum (Lassus, Orlande de)

Amazon Cantiohes Digital Educational Resources. So the present recording from Italian company Tactus may seem a little off-beat. Roland de lassus Orlando di lassomusician and composer of the 16th century, is one of the masters of 16th century polyphony, considered by many to be the most versatile. At he same time, repeated listening genuinely builds up an understanding of the genre and its place in musical composition, almost, perhaps as cumulative engagement with the Goldberg or even Diabelli Variations does.

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Orlando di Lasso: Cantiones Duarum Vocum, München 1577

Image Unavailable Image not available for Color: No, this is perhaps not how we vicum to hear Lassus now; but it’s a fresh and invigorating way to do so with music that’s enjoyable and pleasing in every way. Not only was the Chorist-Fagott a favorite low register instrument used to accompany choral polyphony until the seventeenth cnationes, the dulcian was chosen for this recording precisely because it so closely parallels the human voice… it has warmth, flexibility, a sound produced by breath; it can be listened to proximally as well as carry, sounds well in combination with other such instruments; it has a range corresponding to the span of high and low human voices and perhaps most significantly the dulcian has the subtlety of expression, nuance and delicacy needed to suggest what only words otherwise can.

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The booklet that comes with the CD gives the background, brief biographies of the players and describes the five twentieth and twenty-first century copies of original soprano, alto, tenor and two bass dulcians used. Although there would appear to be little or no attempt to “recreate” the original context of a vocal performance rich in color and texture, the instruments chosen for this recital two dulcians, precursors of the bassoon have affinities with the voice which are more than incidental; and are indeed evident on this CD.

AmazonGlobal Ship Orders Internationally. Paolo Tognon and Claudio Verh use combinations of all four registers: If you are a seller for this product, would you like to suggest updates through seller support?

Complete your purchase to save the MP3 version to your vlcum library. Does not apply to gift orders. They are also superb technicians, and ones well able to advocate this perhaps at first blush czntiones arrangement without drawing attention to anything other than the music in its own right. Get to Know Us. This, of course, explains the other purpose of the bicinia: Listen Now with Amazon Music.

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Classical Net Review – Lassus – Cantiones Duarum Vocum, München

The result is worth persevering with, vochm bearing in mind the similarities between dulcian and voice. By paring to a minimum the melodic lines, and by laying bare textures and timbres in favor of polyphonic principles, this collection of music by Lassus, written in the later part of his career, in fact shows his invention as much as his technique.

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Share Facebook Twitter Pinterest. The collection includes 12 on a sacred latin text while the rest has no text.

Originating in the first half of the sixteenth century, the genre is no mere hack to train young er musicians in theory; rather, it skillfully exposes the delights and possibilities and varieties of intersection of melody and harmony with counterpoint.

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Cantiones Duarum Vocum: (Lassus), a song by Paul Horn on Spotify

The music on this CD is not a series of exercises to little or no other point. Yet it contains an interesting and useful addition to the repertoire. Share your thoughts with other customers. MP3 Music, June 3, “Please retry”.

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English Choose a language duarm shopping. Of the collection performed here, exactly half the pieces are to a sacred Latin text; half are without any words.