Missa Ave Regina caelorum (Dufay, Guillaume) Ave Regina Caelorum. Alt ernative. Title. Composer, Dufay, Guillaume. I-Catalogue NumberI-Cat. No. IGD 8 . Ave regina caelorum. composer. Guillaume Dufay (c). mids. author of text. Anonymous – liturgical. Antiphon to the Blessed Virgin Mary, from the. Guillaume Du Fay. Opera Omnia 01/ Ave Regina caelorum 3. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara,
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Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Salve radix sancta Ex qua mundo lux est orta. Whereas in Dufay ‘s famous Nuper rosarum flores fromfor example, the tenor is rendered in long notes that serve as a kind of undergirding, the tenor in Ave regina is given a more clearly defined rhythmic profile, one that embeds it more seamlessly within the overall polyphonic fabric.
Its popularity perhaps derives from its position near the juncture between the architectonic approach to form inherited from the isorhythmic motet of de Vitry and Machaut in the fourteenth century and the more flowing and expressive contours that would characterize vocal music of the mature Renaissance. The site is also available in several languages.
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Gregorian Based Choral Masterworks. Have mercy on your supplicating Dufay, that in your sight his death may be beautiful.
Ave Regina caelorum, antiphon for 4 voices
Ave regina caelorum composer. The Ave regina caelorum, which is usually given the Roman numeral designation “III” to distinguish it from two earlier motets on the same antiphon, was composed sometime beforethe year in which it was copied into a manuscript at Cambrai. Dufay ‘s use of texture likewise presages the style of the Josquin generation in his use of different paired voice combinations.
Even more startling than the personal tropes, added to the standard words of the Marian antiphon, is the nature of their musical settings.
In both interpolations, which are punctuated by unexpected shifts to C minor, Dufay makes the devotional tone of the motet a deeply personal one: The motet Ave regina caelorum is among the most beloved works in Dufay ‘s oeuvre, and historically a favorite among the rich body of fifteenth century polyphony.
The Brightest Heaven of Invention. Miserere supplicanti Dufay Sitque in conspectus tuo Mors eius speciosa. Vale, valde decora Et pro nobis sancte Christi exora. March Superseded by CDH Share on facebook twitter tumblr.
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Ave Regina caelorum (Guillaume Dufay)
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. In excelsis ne damnemur Miserere nobis et iuva Ut in mortis hora nostra Sint corda decora. Lest we may be damned on high, have mercy on us and aid us, that in the hour of our death our hearts may be beautiful.
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Streams Videos All Posts. Miserere genitrix Domini Ut pateat porta caeli debili. Don’t show me this message again. It is almost as if Dufay is consciously appealing to the prayers—and caelorym a future age, one which, like presumably his own, could not fail to miss the poignancy of his utterance. This sung prayer has long occupied a prominent place in western music history on account of the deeply expressive nature of its utterance, clearly audible to us more than five centuries after its composition.
Ave Regina Caelorum – Guillaume Du Fay by Lorelei Ensemble playlists – Listen to music
Hail queen of heaven, hail mistress of the angels, have mercy on your erring Dufay lest through sin he may fall in the fire of intoxication. Ducay est mortalibus bonum. Perhaps the most distinctive aspects of the piece, however, are the personalized interpolations with which Dufay tropes the antiphon text.
The Binchois ConsortAndrew Kirkman conductor.